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Thursday, May 8, 2008

Black and White Photography in the Digital Age

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The world is celebrating color in full spectrum, not just in the environment but also in the computer. In the 60's, people are happy to see their photographs in black and white copies and it extended for quite some time until technology can already reproduce and provide people with colored digital photography.

Why still use black and white? If you have watched the controversial movie "Schindler's List" (1993) by Steven Spielberg, it has been presented in the screens in black and white color. Critics were expressing dissatisfaction, and to some degree, one could think it is such a waste denying the audience of more than 1 million colors reduced to nothing but grayscale monochromatic theme.

Nowadays, black and white photography is directly proportional to vanity, because everyone desires colored output. In case of "Schindler's List," it was released on purpose as black and white, to give way to a dramatic impact for the setting of 1945 Nazi occupation. The effect of black and white reel, has added spice to the thematic goal of the director. The essence of using black and white is important for character shots.

The world is ironic and ridiculous at times, but we cannot simply take away black and white especially in the era of digital photography. We know all Graphic Arts editing applications, scanners, digital cameras, and other photography gadgets have grayscale options.

To start with your own black and white digital photography shots, you will not need extra effort and complications other than shooting as is. Take the shot in color then you can switch the setting of the digital image in an editor, using array of choices. If you are using Photoshop or Fireworks, you can change the whole image into black and white by editing "Hue and Saturation" or simply switching it to "grayscale" format.

Old photographs from developed films can be converted into digital images by scanning them. If you want a black and white portrait out of it, set your scanner into grayscale. The result is black and white photo.

Setting your digital camera into "evening shot" mode automatically converts the image as monochromatic. You can remove saturation to convert it to black and white. Digital camera works efficiently with a computer. You can do everything about it in full control---that is if you are adept with the manipulation of the technical side of it. It will be quite expensive but worth the effort.

Technology is getting better and better, if you choose conventional effects, as long as you have the 360-degree options to enhance possibilities, then black and white digital photography is very simple to produce.

Low Jeremy maintains http://digital-photography.articlesforreprint.com This content is provided by Low Jeremy. It may be used only in its entirety with all links included.

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Saturday, March 8, 2008

Everglades Photography - From An Airboat !

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Wow! When I looked into airboat tours with Cypress Airboats I had no idea what a ride of a lifetime I was going to have. I?m a freelance photographer and have always been interested in wetlands and the wildlife in the Florida everglades. Yet, I?d kept myself to what I considered safer pursuits after hearing horror stories about photographers and journalists going into the everglades and getting severely hurt, so I was afraid to try it until now.

However, my friends mentioned the great experience they?d had on a Cypress Airboats private tour, so I went for it, but insisted my friend accompany me. I never expected it to be so enriching and couldn?t thank her enough for recommending it to me. The private airboat tour far exceeded any expectations I had. From the pleasant staff that was ready and willing to answer all my questions to the ride itself, I had no problems and my hesitations disappeared within minutes of the trip as I began photographing the gorgeous birds, plant life and beautiful scenery.

As a photographer, light is important and I was able to schedule my private tour so that I could capture some sunset imagery. I think the best shot I took was one of an American alligator resting on a log that was mere feet from the open airboat. I was so absorbed in the photo opportunities that I forget all my fears about being immersed in the Florida Everglades.

The pace of the tour was slow enough that I could get good quality shots, and being that I had a private tour, the staff at Cypress Airboats was willing to take that extra time so I could get my best photographic opportunities. I felt like I was on another planet, intimately immersed in the Everglades and all it?s lush life. It almost seemed unreal when the tour came to an end and I was back in the rush and bustle of daily living.

As I live in the Miami area, we took our tour through the South Cypress location. Thanks to my friend?s previous experience, we chose the Gold Package that allowed me three hours of photographic wonder in the Florida Everglades. The trip was so rewarding to me that I am thinking of taking my niece, who?s six, on a Bronze Package tour for just one hour the next time I am up visiting her in West Palm Beach. I?m certain I will have a great time photographing my niece as she views the wonders of the Florida Everglades up close and personal. I can?t think of a better gift to give her, and I?m sure the staff at the North Cypress location will be just as helpful as they were when I took my tour at South Cypress Airboats.

Cypress Airboat Rides have been providing visitors to Florida with one of the most exciting adventures they can ever take. With both private and package airboat rides, you will find the experience you are looking for. Open year round.

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Sunday, January 6, 2008

New Image Photography

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Tuesday, January 1, 2008

Pet Portrait Photography - Tips for Your Own Masterpiece

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For some pets, a good photograph representing their best qualities comes naturally, while for others it can be frustratingly elusive. Many people choose to have professional photos taken, and although this can lead to a wonderful portrait, with a little preparation and plenty of patience you may be able to achieve similar results yourself. After all...your four-legged companion is a member of your family, and who else knows their unique traits and idiosyncrasies better?

Here are a few simple yet effective suggestions which I've found can offer good results...

The most important factor in pet photography is lighting. Often the best possible light is achieved outside in natural daylight, so try experimenting with this even if your pet is an indoor only pet. Remember to avoid direct sunlight, as this can alter natural colouring - a bright but overcast day is perfect. Don't use a flash, as this can cause red-eye and distort true colouring & shading. An exception to the above, however, is if your pet has a black coat, in which case a flash or strong sunlight can actually bring out shading and texture which may be lost in photos taken under other lighting conditions.

Next to consider is pose and positioning. Keep in mind it is most effective to take the photos on their level, rather than having your pet looking up at you which can distort natural form. Don't make them come to you. Instead, go to where they are most comfortable. Sit on the grass, lie on the floor, whatever it takes. Capture their most characteristic expression & pose. If they are generally happy, try to catch them doing their version of a smile.

Understandably, many pets have no patience for 'photo shoots' and find it hard to sit still. If your pet is having trouble focusing, a good idea is to have favourite treats or toys at the ready. Hold them up near the camera to catch - and hopefully hold - interest in the right direction. Most importantly, don't be afraid to be silly. Try making funny and unusual noises or movements to get their attention. Cameras can be distracting for some animals, so if you cannot get your pet to behave normally, try having someone else present to divert their attention.

Above all else, remember to have fun and don't be in a rush. Patience is most definitely a virtue when it comes to taking a spectacular pet photograph. Good luck!

Sarah Theophilus is a successful pet portrait artist who's work is featured online at Pets in Pastel - http://www.petsinpastel.com/. Take a moment to browse her original works, art cards, prints, free e-cards, wallpapers and more.

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Sunday, December 23, 2007

DIGITAL PHOTOGRAPHY - GRADUATED FILTER EFFECT - LANDSCAPE PHOTOS

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ENHANCE YOUR LANDSCAPE PHOTOS

If you see a landscape photograph taken by a professional photographer, you will usually notice that the sky is quite dramatic. This is an effect that's easy to reproduce in a digital image.

Software: Adobe Photoshop Elements 3.0. Time: 10 minutes. Suitable for: any landscape photo with a band of uninterrupted sky.

Open the image. Click Enhance>Auto Levels. This removes the dullness from the photo. Now click Enhance>Adjust Colour>Hue & Saturation and move the Saturation slider up to +15, to brighten the colour slightly, if required (this will depend upon your original photo).

CREATE AN ADJUSTMENT LAYER

First make sure that the Layers palette is visible on screen. If it isn't, click Window>Layers. Now click on the circular Create an Adjustment Layer button in the Layers palette. Click Levels. The Levels dialogue box will open, showing Input and Output levels. It's the Input Levels that you'll be adjusting in this case. If you look at the sliders under the Input Levels histogram, you'll see there are three sliders, the one on the left adjusts the dark areas of the image, the one in the middle the midtones, and the one on the right the bright areas. Move the middle slider to the right until the sky is considerably darker (ignore what the change does to the rest of the photo). Click OK.

Adjust the image so that only the sky is darker Click on the Gradient Tool in the toolbox on the left of the screen. In the Tool Settings bar near the top of the screen, an example of the gradient will appear. It should be graduated from white to black. If it isn't, click on the tiny drop-down arrow next to the example and choose the gradient in the top left-hand corner. If you look at the Levels adjustment layer that you created in the layers palette, you will see a Layer Mask (the all-white rectangle). Click on the Layer Mask, then put your mouse back over the picture. Click at the very top of the picture, hold down the mouse button and drag vertically from the top to the bottom of the sky. The Layer Mask should now be black with a small white area at the top. This will reveal the darkened sky, but the rest of the photo will now be unaffected by the change in Levels. If you're not entirely happy with the result, you can double click on the Layer Thumbnail in the adjustment layer and readjust the sliders until you achieve the desired effect.

Jan uses Adobe Photoshop and Corel Painter for image editing and digital, see Jan's portraits website for more details.. She has been running popular digital photography training courses for four years. See Jan's digital photography website.

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Monday, November 12, 2007

What's It Worth - Pricing Your Stock Photography

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Out of the blue a business contacts you wanting to use one of your pics. They have seen it at your web site, on your blog or at an exhibition and are requesting availability and price. After the warm glow wears off how do work out what it is worth? What can you ask for and still get the sale? But you don?t want to give it away, do you?

Firstly they are not buying a print. They are requesting the right to use your pic a multiple number of times in a way that will enhance their business and their sales. They will handle the printing side of things you are just providing the image. So the question really is what is it worth to them?

To determine this you need more information.

What is its intended use: Advertising or editorial?

Specific use: Newspaper & magazine ads, packaging, point of sale, brochures etc for Advertising (remember if it is for advertising you will need model releases for any recognizable people); Books, newspaper or magazine story illustration, news letters etc for Editorial.

Size and Placement: Full page, ? page, ? page or spot, front cover, back cover, inside.

Distribution: How many impressions and/or times will it be used. If in a newspaper or magazine what is the circulation? If it is packaging, how many bottles of wine will your image label?

Exclusivity: Can you sell the image to a competitor or does the company want exclusive use and if so for how long?

Once this information is in place you are in a position to calculate the value of your image to the company. There are several places on the net that can help, Stock Photo Price Calculator which can be seen at http://photographersindex.com/stockprice.htm is one. Use of this calculator will get you a high, average and low price based on current market expectations which you can use for your negotiations.

When I contact the enquiring business for the above information I usually ask, in that initial email, what their intended spend is on the project. Mainly to get an idea of how professional they are. If they indicate the overall budget for the project, 20% to 25% will be for resources, just be aware that your image is part not all of the resources. If they don?t have a budget, mmmmmmmmm.

If the business is unknown to you or it is your first dealing with them, asking for your money up front is not out of the question. It can also be a face saving tactic when being pushed for a lower price that you feel is their top offer. If you are offering payment at a later date, it is essential that you include on your invoice ?licensed rights are not assigned until the invoice is paid in full.? This will give you some sort of fall back position if the money never arrives.

Beware of the old chestnut of ?we will be buying a lot more of this type of image in the future, can you do something about the price?. My response to this one is along the lines that I give discounts to regular buyers and a regular buyer is one with a history of 5 or more purchases. To the exposure I will get, just think of the dollars in the bank in the future, argument my response is I have to pay my bills now. I mean who really does the read the photo byline on a wine bottle label?

Don?t forget this is a business negotiation, the buyers job is to get the image at the lowest price they can, your job, apart from making the pics, is to get the best price you can for your image.

 Henry Bateman is an artist/photographer, his work can be seen at http://www.pissedpoet.com and at http://pissedpoet.blogspot.com

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Monday, October 29, 2007

Emotive Photograph

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Tuesday, October 23, 2007

Equipment needed for bird photography

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The nice thing about bird photography is that it can happen anywhere on our beautiful globe. The not so nice thing is that birds are small or shy, and you need to be able to get close enough with your equipment. In this article, we will be looking at the ideal equipment for bird photography. We will also be having a quick look at how to use this equipment.

Camera body

We live in the world of digital photography, and therefore we will only be discussing digital camera bodies. I am also a really big Canon fan, so I will talk Canon, and you can translate it to other manufacturers if you need to.

You will need a decent camera body that allows you to set continuous focus while shooting images in the raw image quality. The cheapest body allowing you to do this is the Canon EOS 20D. However, it is not really cheap. The reason for it being not too affordable is that it is actually a very good all-round camera body for the serious amateur or professional. You cannot go wrong with this body...

Lenses

A lot of amateurs think that a really decent long zoom lens will solve all their problems. I have been there guys, and it does not. Do what the professionals do and get that long prime lens.

I used the Canon EF 100-400mm f/4.5-5.6L IS USM for a long time, and my results were decent but not good enough. It is not the sharpest lens. If you need to use a zoom rather stick with the Canon EF 70-200mm f/2.8L IS USM. It is pin sharp.

I now use the Canon EF 500mm f/4L IS USM and it is the best thing that could have happened to my photography. It is very sharp and very fast at the same time. A bit heavy at times, but I need the exercise! With this lens I mostly use a Canon Extender 1.4x II for an effective focal length of 1 120 mm with autofocus! That is plenty for any bird, and I cannot imagine getting a lot of good bird photographs with anything shorter.

By the way, do not use manual focus. Today's cameras were not built for manual focus as the viewfinders are small and do not allow you to see enough detail to manual focus effectively.

Photographing flying birds

Okay, now you have all the equipment and you are heading into the field to get that award winning photograph of a flying bird. You have to have enough light entering your lens for a fast enough shutter speed to freeze the action. You also want your camera to focus where the bird is in that split second you are going to give it before firing away. So what do you do...?

Set you camera to an ISO speed of 400. In sunshine this ought to be fast enough. The reason for not using ISO 100 or 200 is that you are photographing action and you do not want anything to blur.

You must also make sure your lens is open at its maximum aperture. A Canon EF 500mm f/4L IS USM lens coupled with a Canon Extender 1.4x II gives a maximum aperture of 5.6, and this is what I use when photographing flying birds.

Also ensure your camera is set to continuous autofocus. Canon calls this setting AI Servo focus. This is crucial and the main reason why I am not a fan of camera bodies like the Canon EOS 350D. They do not allow you to use this focus with raw images... Thanks Canon!

I also set my image stabilizer to Mode 2 for photographing moving subjects, to avoid it actually working against that sharp photo rather than for it...

Now all that is left is moving that heavy lens around while the birds are flying past. Happy shooting!

Conclusion

We professionals have a way of sometime making it sound like you do not need good equipment to be a good photographer. That is utter non-sense. Get yourself decent equipment and you will see why the pros get the shot and you don't.

The other thing that makes the professionals so much better than the average amateur is patience. Go and sit somewhere where there are birds, forcing yourself not to move for three hours, and you will get the magic shots. Your patience will be rewarded.

Dries Cronje is a freelance nature photographer operating in Southern Africa. He has a passion for teaching and has dedicated one of his sites, http://www.africa-nature-photography.com, purely to helping his fellow nature photographers.

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Monday, September 10, 2007

African Safari Photography Best Five Destinations

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Good wildlife safari photography is not only about composition and camera equipment because you first need to find your subjects before you can even lift your camera. This best five African wildlife destinations list helps you do that.

Once you have been going on wildlife photography safaris in Africa for a number of years you begin to realise and recognise that certain areas are better than others for generating good animal picture opportunities on a consistent basis.

The ranking is based on over twenty years of my safari photography experience, forums, countless trip reports and travel journals, travel magazines and prevailing wisdom in the Africa travel industry.

1. Serengeti NP - Tanzania

One of the best safari parks in Africa bar none, the Serengeti is a safari photography dream destination.

The wildlife viewing on a photographic safari here often borders on the spectacular aided by the fact that the vegetation is predominantly grassland which makes spotting animals from a distance considerably easier and provides less obstacles like bushes and trees to obscure your subjects.

The grassland is also able to sustain a multitude of herbivores like wildebeest, zebra and gazelle which in turn sustains a large population of predators to feed on them so it's no surprise that the Serengeti is often referred to as "big cat central". In the Masaai language Serengeti means "endless plain" which is very close to the truth.

Two extraordinary events occur here that make it an even more remarkable place to take a Tanzania safari. The annual wildebeest migration and the birth of hundreds of thousands of wildebeest foals.

The migration occurs as the massive herds of up to a million individuals begin their search for better grazing by moving north. The exact timing is dependant on the seasonal rains but they travel across the Serengeti en masse roughly between April and August.

In February - March, months before they begin their epic journey, the wildebeest give birth within a six week period to hundreds of thousands of calves, taking advantage of the sweet grazing available in the Serengeti at that time. They all foal at the same time to cause a glut of prey opportunities for the predators who make full use of the bonanza while they can.

And so can you with some remarkable picture opportunities in the offing.

2. Masai Mara Reserve - Kenya

This is one of the places where your camera will start steaming from overuse especially if you are after big cat pictures.

Along with the Serengeti in Tanzania, this is without a doubt the premier game viewing destination in Africa because of the quality and quantity of wildlife sightings and safari photography opportunities to be found here.

This sometimes works against it because in certain places it can be overrun with photographers and tourist in safari vehicles all jostling for the best position around a bemused lion pride or leopard in a tree.

But if predators are what you seek from a safari photography trip then this reserve will deliver them in spades in the form of lion, cheetah, hyena and even regular leopard sightings if you know the right areas.

Taking a hot air balloon ride over the plains will provide a unique perspective for your safari photography efforts not to mention an amazing experience.

3. Kruger NP - South Africa

The Kruger National Park has to rank as one of the best South Africa safari photography destinations, only slightly behind the Masai Mara and Serengeti when it comes to wildlife viewing because the vegetation in Kruger can be dense and sometimes mars the ability to see longer distances and get clear wildlife pictures.

But the variety of animals, birds and ecosystems that you can experience here are unparalleled anywhere else in Africa and the accommodation, roads and facilities are top notch and all at a very affordable price.

It's not unusual to see lion, leopard, cheetah, a pack of wild dog, rhino, elephant, buffalo and a whole host of antelope, crocodile and hippo in the course of a single trip including a variety of insects and reptiles.

On the bird front you will be spoiled with a seemingly never-ending supply of eagles, hawks, water birds and a host of migratory and indigenous species to the tune of about 510 different varieties.

You can easily do a self drive safari photography holiday here and still see a decent amount of wildlife especially if you stick to the central and southern portions of this massive park (larger than Ireland). The north has fewer animals due to dryer conditions but also less tourists which makes for a more isolated and intimate wildlife experience.

4. Okavango Delta and Moremi GR - Botswana

The Okavango Delta must qualify as the most unique and varied safari area in Africa and photographs of the landscape here are almost as prized as the wildlife pictures themselves.

The delta lies in the North of Botswana and it consists of narrow water channels lined by papyrus, floodplains covered knee deep in water, hippo filled lagoons, forest glades and savannah grassland.

You can go on outstanding safari photography expeditions here on foot, using a 4x4 vehicle, a mokoro (dug-out canoe) or a motorised boat.

Vast herds of buffalo, elephant, gazelle and zebra roam this rich ecosystem which is fed by the Okavango river which has its source in the Angolan highlands and floods the delta every year.

This treasure trove of available prey attracts the predators too and lion, leopard, cheetah and wild dog thrive here. The dry season is the best for game viewing because the animals are drawn to the permanent water sources.

The Moremi game reserve consists of strictly controlled, privately managed concessions and it falls within the Okavango delta area and has no fences which leaves the animals free to roam around as they please.

There are a number of upmarket Botswana safari lodges in Moremi such as the Vumbura concession which contains both wetland and savannah areas for the best of both worlds.

The Delta is at its most impressive in August when the water is at its deepest and most of the young are born between November and March when the vegetation is lush and dense so it might be a good idea to plan any Botswana safari photography trips to coincide with these events.

5. South and North Luangwa NP - Zambia

Some experts have branded the Luangwa National Park as one of the greatest wildlife sanctuaries in the world because the density of game you can find here mixed with the isolation and pure unadulterated wildness of it is almost without compare.

Because it is reasonably undiscovered except to the locals in the know and a select few foreign visitors, it hasn't been overrun by masses of tourists yet and you can experience a safari photography vacation here as it should be and some say that is the best Africa has to offer.

There are over 60 species of animal here with the unfortunate exception of rhino because they were poached into extinction and over 400 different kinds of birds.

They all rely on and are drawn to the winding Luangwa river which is crowded with some of the biggest concentrations of hippo and crocodile you will find anywhere in Africa. it has been estimated that there are 50 hippos per kilometre of this congested river.

The South Luangwa was the birthplace of the walking safari and it is still a very popular way to explore the area from a quality collection of safari lodges and camps. Night drives are another excellent way to see leopard which are reputed to be more regularly seen in this park than anywhere else in Africa because of the high concentrations of the predator. Lions and even rare sightings like honey badger, civet and wild dog are likely to be seen.

To take the true Zambia safari photography adventure a step farther, the northern luangwa area is even more remote, wild and isolated than the south and the wildlife and bird viewing experience is from the top draw. Definitely one for the safari cognoscenti.

Bruce Whittaker

Wildlife photography tips and advice about the best nature cameras, lenses and techniques to improve your pictures on safari..http://www.african-safari-pictures.com/wildlife-photography.html

African primate pictures taken on safari of chimpanzee, gorilla, baboon, vervet, mandrill and colobus monkeys..http://www.african-safari-pictures.com/primate-pictures.html

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